Movie Review – Zootopia
“Zootopia”’s main character, Judy Hopps, a small-but-feisty country bunny trying to make it on the big city police force, is an inspiration.
“Zootopia”’s main character, Judy Hopps, a small-but-feisty country bunny trying to make it on the big city police force, is an inspiration.
The sum of the efforts of all this talent makes for a wildly enjoyable movie.
It’s another Tina Fey vehicle, but certainly a different go-round for the comedy legend-in-the-making.
Newspapers may not be long for this world, but the movie about the newspaper investigation team will always be great.
You could hear a pin drop after the lights came back on at the press screening of writer/director Robert Eggers’ “The Witch”
“Batman: Bad Blood” carries the torch for the new series (“Son of Batman”, “Batman vs. Robin”) and has it burn brighter than ever before.
The film goes just far enough with its take on a woman-with-a-gun storyline, any further and you dip into “Bad Girls” territory and the strong female leads become too jokey.
The characters tend to go into story a lot, as opposed to being in more in-the-moment conversations, but something drew me in to where the final-hour finale packed a big punch.
Their efforts do not always hit the mark, but when they do, it ends up being a very fun 100+ minutes that does not wear out its welcome.
For all its ambition to deliver a unique time travel tale, “Synchronicity” stumbles over itself with convoluted storytelling
Over thirty million people were negatively affected by the collapse of the housing market in 2007. So why am I so entertained?
It seems like the laughs will come in bundles with the three leads playing fast and loose at the top of the film, but the warmth shared between the leads that could excuse all the crude behavior of a stoner comedy wears away leaving a less than pleasing mixture behind.
It’s probably the most common thing said about movies of this type – I liked it when all hell broke loose, but the characters otherwise weren’t that compelling.
You know Dasher and Dancer and Prancer and Vixen…but you’ve probably never heard of Krampus.
If “Creed” is launching a new franchise in the boxing genre, it’s doing it the right way – with nostalgia.
What Roach does best is take a film that should no doubt feel “important” and make it feel entertaining.
Danny Boyle’s “Steve Jobs” is the second biopic of the Apple Computer founder in the past three years. But it’s not unlike something involved with Apple to have to be rebooted to operate correctly.
Odd today to think that kids would be expected to attend a movie that did not involve peril or violence or parents being offed – and love it.
Somehow, Zemeckis has taken a story known to many (especially how it ends) and has made it fresh, exhilarating, and full of surprises.
Collectively, the young women of “The Keeping Room,” director Daniel Barber, and writer Julia Hart take us on a journey that is intense, beautiful and melancholic.
A slow burn foreign horror, that for some, may not fulfill their thriller/horror needs, but for those with more patience that do not mind the long shots that build suspense, trying to throw you off balance, it can be rewarding.
What makes “The Martian” exceptional is how the high-production, Damon’s personality and the rescue mission tension all feed into what is essentially a “figurin’” movie, and make it widely appealing.
“Sicario” is easily Villeneuve’s best film, and one of the best of the year.
The performances in this new gangland tale are brilliant from Johnny Depp to the minor characters, but the film itself suffers in pacing and tries your patience.
M. Night Shyamalan returns to fine form delivering another thriller worthy of a lot of post-screening discussion with “The Visit”.
I wish that coaster had a home stretch and finale that matched the liveliness of the beginning.
Imagine, if you will, a romantic comedy minus all the romantic notions, minus all the cute or beautiful looking actors (young or old), and still delivering all the goods with a very strong resolve.
I worry about Ritchie’s signature as a director. Coming on the scene with films like “Lock, Stock and Two Smoking Barrels” and “Snatch”, he lately seems like a director-for-hire
“No Escape” is a smart and harrowing journey through a third world hell.
Where one of “these movies” would normally deliver up a ghost, outlandish murderous premise or a roving killer, “The Gift” instead offers up a plausible plot of the past coming back to haunt you.
There are two things you generally want from a Sherlock Holmes adventure – a taut, complicated mystery and an indelible performance from the lead actor. Well, “Mr. Holmes” has at least one of those things.
How many films have we seen with young people trapped in a scary place, being picked off one by one? But Nispel turns the whole scenario on its bloody ear just as Wes Craven did with “Scream”.
Welcome to the party, Jason Segel.
This project seemed inevitable, as the breakout stars of the “Despicable Me” franchise, The Minions, get their own movie adventure. The ride at Universal Studios Hollywood isn’t called “Gru Mayhem”, for example.
There have been plenty of stories of the inner city in Los Angeles, but chances are you haven’t seen one quite like “Dope”.
Make-A-Wish Greater Bay Area didn’t know what they were getting into when they attempted to transform San Francisco into Gotham City so five-year-old Miles could be the Caped Crusader for a day.
Nothing will prepare you for the onslaught to the senses from one of the most intense and grueling horror movie experiences I have ever set eyes on.
It’s quite a testament to the consistent quality Pixar has brought to films for twenty years that even though they’ve had some missteps recently, the fact that they NAIL IT once again with their newest release, “Inside Out”, is no real surprise.
Few scenes fly by without the jokes coming fast and funny. There are too many comedies today with missed opportunities and Feig and McCarthy don’t let any of those moments pass without delivering something hilarious.
LOVE & MERCY is, above all, a movie meant for the movie theater. It’s an unvarnished look at Brian Wilson’s life and the suffering behind his music.