Movie Review – Oppenheimer
Christopher Nolan has finally been able to merge his sense of visual technique and high minded science.
Christopher Nolan has finally been able to merge his sense of visual technique and high minded science.
On this episode of The Guest Awakens, host Brennen Marr is joined by not one but two guests to discuss the early career of George Lucas.
James Caan was the epitome of the New York tough guy.
Harrison Ford’s epic, two-podcast-season-spanning 1979 ends with APOCALYPSE NOW. Paul & Adam recruited John Kaiser to talk about it. Then, the drinking started.
Ray Schillaci’s PIC of the week at TheMovieGuys.net for 10/1/21 – Dementia 13
This week, Adam & Paul dive deep into Ford’s first collaboration with Coppola – THE CONVERSATION – and Ford’s creepy, nuanced performance as Martin Stett.
Paul and Adam enter the classics phase of Harrison Ford’s career and there’s much to discuss about this week’s film – American Graffiti.
Ray Schillaci looks at the recently announced director’s cut of THE GODFATHER, PART III, coming this December.
Ray Schillaci lays out the films of the great Roger Corman for anyone who doesn’t know them, as the legendary filmmaker turns 94.
At first glance, Scorsese may come off like the cranky little old man yelling at kids to get off his lawn.
Ray Schillaci’s PIC of the week at TheMovieGuys.net for 3/1/18 – Tom Jones
2017 is a good year for movies, but mostly because it’s the 30th anniversary of the greatest year for movies ever.
With the availability of so much entertainment vying for our attention, there is one genre that can easily be missed…B-movies.
Movie Guy Ray Schillaci looks at the current state of horror films – is creativity still alive? Can they be profitable? These questions and more get answered with commentary by director Mike Flanagan (“Oculus”), director Marcus Nispel (“Friday the 13th” (2009)) and more.
Why is it that many times (too many, actually), movie titles are horribly translated in other languages? Of course I don’t have an answer – but…it’s not like a song by Bruce Springsteen gets translated, right?
It’s as if Sofia Coppola dug up an early draft of “Lost In Translation”, tweaked a couple of things, and tried to dress it up as a new study of the same themes.
Or, “Ranting On A (Not Quite) Classic” or “Re-examining a Failure”. You choose.
Classics? Perhaps not. But considerably better than their rep, and worth at least a look-see by the discriminating cinephile.