Showcast Episode 66: With “Forrest Gump” the only big theater release this week, The Movie Guys dip into their archives and bring you a Showcast episode from July 6, 1994, when “Gump” was originally released. Jaimie sits in for part one of the show, and special guest Vinnie Donadio joins in part two to talk the 10th anniversary of “Ghostbusters”.
“Mordraud” is a fantastic little short. By “Fantastic”, I mean Extraordinary. By “Little”, I mean Epic. By “Short”, I mean under 23 minutes.
Studios and theater chains are in cahoots to wrangle the public into paying more and practically forcing them to accept 3D.
Showcast Episode 65: Actresses Sarah Butler and Caitlin Keats stop by The Admiral’s Club to talk movies and their new film “Treachery”, plus Board Op Jaimie joins in for previews of what’s new in theaters, including “As Above, So Below”. And “The November Man” prompts an exclusive interview with an honest-to-goddamn-goodness SPY, risking outing his identity to give The Movie Guys the lowdown on the real-life spy world.
Showcast Episode 64: From the set of “Hellevator Man”, Paul & Karen talk to producer Jennifer Blanc-Biehn and WWE legend and Hall of Famer Mick Foley about their upcoming film anthology. And back in The Admiral’s Club, “Sin City: A Dame to Kill For”, “If I Stay” and “When the Game Stands Tall” get thorough previews and The Movie Guys score a rare interview with God.
Uwe Boll has a body of work as director, producer and writer, spanning over twenty years, but is also known for being one hell of an eclectic personality, and his strong opinions showed up when we asked him about the state of showbiz and his place in it.
Movie news from The Movie Guys includes the return of Universal monsters, new images from “Batman Vs. Superman” and “Star Wars – Episode VII”, a Tarantino death montage and more.
Movie Guy Ray Schillaci looks at the current state of horror films – is creativity still alive? Can they be profitable? These questions and more get answered with commentary by director Mike Flanagan (“Oculus”), director Marcus Nispel (“Friday the 13th” (2009)) and more.
Showcast Episode 63: Retractions lead an all-new Showcast, as The Movie Guys redo their final words about Robin Williams. Plus, previews of three new films, including “The Expendables 3”, “The Giver” and “Let’s Be Cops”. Then, “Men in Suits” director Frank H. Woodward sits in to talk about his self-proclaimed “geek-centric” films.
Movie Guy Paul Preston appears on the premiere episode of The Producer’s Patio, hosted by Grace McPhillips and Corbett Lunsford, talking about doing it all, producing a weekly show, and what producing is all about at heart.
One of the most entertaining pictures I’ve ever seen, extremely funny and quite emotionally affecting.
BLUE VELVET seems almost benign in our over stimulated, shock value society, but let me tell you it still holds its own where depravity is concerned.
Movie Guy Paul Preston talks about what makes a horror movie great on KTRH, Dallas, TX
Movie Guys Paul Preston and Adam Witt stopped in on LA TALK RADIO’s Broad Topics again, reviewing Rise of the Planet of the Apes and Fright Night.
Movie Guys Paul Preston and Karen Volpe stopped in to LA TALK RADIO again for another episode of Broad Topics, reviewing Captain America: The First Avenger, Horrible Bosses and Larry Crowne.
Movie Guys Paul Preston and Steven Lewis stopped in to LA TALK RADIO again for another episode of Broad Topics. This discussion covered Cars 2 and Bad Teacher.
Movie Guys Paul Preston & Adam Witt stopped in to LA TALK RADIO again for another episode of Broad Topics. This discussion covered X-Men: First Class and more!
Paul Preston & Lee Kias stopped in to LA TALK RADIO for another episode of Broad Topics. This discussion covers Pirates of the Caribbean: On Stranger Tides.
The first appearance of The Movie Guys on Broad Topics, in what will be routine visits. In this segment, Paul Preston talks about Thor and Fast Five.
Movie Guy Paul Preston checks back in with London’s Biggest Conversation from a very busy red carpet of the Oscars on LBC, 97.3, London
Movie Guy Paul Preston checks in with London’s Biggest Conversation from the red carpet of the Oscars on LBC, 97.3, London
Movie Guy Paul Preston gives his Oscar predictions for 2011 on KRLD, Dallas, TX
“How to Train Your Dragon” is based on a book, which might be another reason for the film being the first I’ve seen from DreamWorks Animation that really has heart
Movie Guy Paul Preston goes over what holiday movies are best for adults in his latest appearance on KRLD, Dallas, TX
Paul Preston talks great horror movies on KRLD, Dallas, TX
A really terrible sequel to “Cats & Dogs”
My favorite series of all time was “Deadwood”, I’m thinking this may come close.
From the panoramic vistas of the Italian countryside, to the panoramic vistas of Clooney’s profile, “The American” is a collection of painstakingly conceived shots strung together over the story of a man who seems to have one last chance to save his soul, and the hooker who loves him.
Paul Preston reviews “Despicable Me” for TheMovieGuys.net and rants about the state of movie animation along the way.
There is a very creepy, insidious tone that snakes itself around the audience for two hours.
Joel Frost talks to Stephen Rannazzisi about his upcoming series THE LEAGUE and his film roles in FOR YOUR CONSIDERATION, PAUL BLART and more.
SO much machismo is being blustered around the screen in “The Expendables”, the real expendable here is the audience.
Let’s just call it “EAT PRAY LIKE”.
“Middle Men” has a laundry list of moments that seem eager to earnestly evoke some of the techniques and devices that certain other directors have used with much success.
“Inception” calls into question the very physics that we take for granted
When I look at who’s next to replace Cruise and Gibson, I’m reminded that I don’t want to do that yet.
Hoffman holds it all together – possibly his best performance ever.
There’s a common, poorly-conceived opinion that adapting a TV show is a lowbrow indication that Hollywood has run out of ideas.
Cyrus is a film that doesn’t seem to know quite what it wants to be.
If you see “Jonah Hex”, I dare you to remember it.