Movie Review – Scary Stories to Tell in the Dark
The filmmakers lay out a new kind of creepy CREEPSHOW that manages to rival some of the best horror anthologies, but with a PG-13.
racism
PIC of the Week – Green Book
Ray Schillaci’s PIC of the week at TheMovieGuys.net for 3/14 – 3/21 2019 – Green Book
Movie Review – Green Book
Sometimes a film can be both a money and awards magnet. I hope GREEN BOOK can pull that off.
Movie Review – Quincy
Any time the movie reveals something amazing that Quincy Jones that you either never knew for forgot about – DRINK.
PIC of the Week – Blackkklansman
Ray Schillaci’s PIC of the week at TheMovieGuys.net for 11/8/18 – Blackkklansman
Movie Review – BlacKkKlansman
Is Spike Lee back? I don’t wanna cause any jinxes, but if he keeps this upward pattern I’d be happy to say he’s back.
Movie Review – Detroit
Kathryn Bigelow and writer Mark Boal do an exceptional job of putting viewers in the middle of this situation and piling on a heaping dose of uncomfortable.
Movie Review – I Am Not Your Negro
I knew little about James Baldwin before this film, but anyone who comes out on the other side of this documentary is guaranteed a provocative introduction to him.
Movie Review – Get Out
There’s a reason Jordan Peele’s feature film directorial debut Get Out has a near-unanimous critic rating – it’s entertaining as hell!
THE MOVIE SHOWCAST – “TOUCHDOWN JESUS” (w/Jeremy Carter) – “Black or White”, “The Loft” & “Project Almanac”
Showcast Episode 85: Disdain for January movies is definitely on display, but there’s a light at the end of the tunnel as the FINAL films of Jan. 2015 get previewed – “Project Almanac”, “Black or White” and “The Loft”. Plus, The Movie Guys try a little time travel of their own, as well as Oscar talk, “Ghostbusters” talk and all sorts of madness with special guest and Superego co-founder Jeremy Carter!
MOVIE REVIEW – RED TAILS
With a thumping dub-step soundtrack, planes performing harrowing maneuvers, and requisite nasty enemies (Nazis, in this case), the trailers for “Red Tails” have clearly been geared to pump up visceral excitement in (likely) largely young and male audiences.