MOVIE REVIEW – THOR
Branagh does a good job of balancing the work of his actors with all the glitz, glitter and action sequences that abound in Asgard.
Branagh does a good job of balancing the work of his actors with all the glitz, glitter and action sequences that abound in Asgard.
You may have wondered what the ladies were doing and talking about while the men were horsing around in films like “Wedding Crashers” and “The Hangover”.
Overall, my masculine side says this film is a blockbuster that you’ll quickly forget you saw. My feminine side says Robert Pattison is hot.
It was like watching an undergrad film of a boring play starring freshmen actors.
Jake Gyllenhaal redeems his career after the embarrassingly awful “Prince of Persia” and turns in a fine, heartwarming performance
A film like this demands a charismatic and vulnerable lead actor, and Bradley Cooper is quickly establishing himself as the right guy for those jobs.
Matt Damon and Emily Blunt are maybe the first action film couple I’ve seen in years that had great chemistry.
Watching the filmmaking team’s decision-making process about what kind of look the beast would have would probably be much more fascinating than watching the movie.
I’ve been drinking heavily and my perception of time is just a little bit off, but don’t give me that look, because I got the points of the movie and this is still an important review, so shut up.
I knew the 80’s. The 80’s were a friend of mine. “Take Me Home Tonight”, you’re not the 80’s.
This highly entertaining animated film is exactly what Shakespeare geeks who also happen to love animation have been waiting for.
The terrifying adults in this film often acted as if they hid the town secret of the local werewolf, but no such wolf ever shows.
The banter between characters is great and the situations they’re put into are pure, envelope-pushing comedy gold as only the Farrellys can deliver.
I wish the actors would either stop mumbling, speak up, or the sound mixer would equalize the volume.
I watch many, many dark, disturbing films, but most don’t even come close to this masterpiece of fear.
“The Way Back” is my new all-time favorite movie about prisoners escaping a Russian Gulag camp during World War II
The horror is mostly derived from sudden, shocking moments and not from the true nature of evil.
Bening is riveting here, as she has the ability to work the camera and turn you inside out, proving once again why she is one of the best ever.
It succeeds because it manages to tell the big story through the smaller stories of these men and their families
Some of it makes sense and some of it not so much. But is any of that the point? No, not really.
Disney is successful at making animated films because their stories and storytelling have something for every generation in the room.
The interplay between Firth and Rush in the movie is not only a master class in acting, but it is some of the most fun you’ll see in a movie.
When I think of fun and witty romantic comedy leading ladies I don’t think of Natalie Portman.
A noir-type thriller that may require a certain mind-set from it’s audience for true appreciation.
If you want a film with an interesting plot and performances, look elsewhere.
The first word that comes to mind after watching this film is WOW and then WOW again.
Tom Six’s film is about a trio of people who are sewn together mouth to ass to create a “centipede” type creature. And then when one defecates, well…..you know.
We all have dreams, but if we don’t achieve them, does that mean we can’t still be happy?
Maybe it will help convince young girls not to talk to big, creepy strangers in their front yards.
Joel and Ethan Coen have directed better films than this version of “True Grit”, but not many directors have directed films even this good.
It’s as if Sofia Coppola dug up an early draft of “Lost In Translation”, tweaked a couple of things, and tried to dress it up as a new study of the same themes.
If you know a rich family, or are part of a rich family, you know how messed up things can be.
An exercise in claustrophobic self-reflection that allows the viewer to imagine, if inadequately, the horror and dread of Ralstonʼs predicament.
The latest in a long line of movie musicals that proves Hollywood takes one successful idea and beats it into the ground until there’s nothing good left.
Ms. Portman delivers an uneasy, tense showing that will certainly garner an Oscar nomination and perhaps the award itself.