A slow burn foreign horror, that for some, may not fulfill their thriller/horror needs, but for those with more patience that do not mind the long shots that build suspense, trying to throw you off balance, it can be rewarding.
In the end, Bay has a made a film struggling with the fact that it’s a Michael Bay film. It’s fun to watch the best parts peak through Bay’s usual main ingredient – excess.
An anniversary screening of “To Kill a Mockingbird”, a “Twins” sequel and the “Man of Steel” logo